I am intrigued by the symbolic meaning one can find in seemingly ordinary, outdated utilitarian objects. Particularly objects that when thought of in their original context forced the user to pause or slow down in order to make them function or operate. These objects are rich with meaning and significance. My work explores alternative meanings within these objects as they relate to concepts of transition and discernment. Sculpting or carving these common objects out of wood or clay is a subtle and transformative process. I often choose objects that have outlived their usefulness or purpose, moving them from the realm of the forgotten to the re-imagined. This mystery seems to heighten their metaphorical potential. By carving them out of wood or clay I reveal the unrefined qualities of the material. People often begin to grasp the significance of objects when they are lost, broken or worn out. For this reason, I choose weathered surfaces and a neutral monochromatic palette to unify each piece. The use of hand tools and simple construction techniques enhance the beauty of such materials. Ultimately, these seemingly outdated objects celebrate the deeper meaning in things forgotten or cast aside.

In regards to using reclaimed materials I love the challenge of making something out of a material that has seemingly lost its purpose or need. For me there is a deeper, more soul-like connection with this type of material. The fact that the materials mimic life is beautiful to me. The things that others look past, the things that so often don't fit the standard mold of perfection. That is what I am drawn to. Finding a use, a purpose for the cast off piece of lumber or dried out clay is deeply connected to who I am. Because for the most part we are all like this at some point in our lives. Seen as useless or not seen at all. Not valued or seen as having little purpose. I see the material not for what it was, but for what it will become. In my hands it still has worth and a purpose yet to be discovered.